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| Titre : | Covenant and Eschatology : The Divine Drama |
| Auteurs : | Michael S. Horton, Auteur |
| Type de document : | texte imprimé |
| Editeur : | Louisville [USA] : Westminster John Knox Press, 2002 |
| ISBN/ISSN/EAN : | 978-0-664-22501-8 |
| Format : | vii + 351 p. |
| Langues: | Anglais |
| Résumé : | Operating from the conviction that the content of theology should shape and determine the method for doing theology, Michael S. Horton proposes a redemptive-historical method, an analogical mode, a dramatic model, and the covenant context for reintegrating the discipline of theology. Drawing on the metaphor of performance, Horton brings together theory and praxis. He dialogues constructively with Protestant scholasticism as well as with contemporary speech-act theory, hermeneutics, and postmodern thought, ultimately providing scholars and students with a significant proposal for integrating biblical and systematic theology. |
| Note de contenu : |
- Acknowledgments - Introduction: Before the Curtain Rises - 1. Eschatology after Nietzsche PART ONE: GOD ACTS IN HISTORY - 2. A God Who Acts? - 3. Accounting for Divine Action - 4. Four: All the World’s a Stage PART TWO: GOD SPEAKS - 5. Divine Rhetoric - 6. Interpreting for Divine Discourse - 7. Implications of a Covenantal Hermeneutic - 8. Reintegrating the Rhetoric of Redemption - 9. Community Theater - Notes - Index of Names / Index of Subjects |
Exemplaires (1)
| Code-barres | Cote | Support | Localisation | Section | Disponibilité |
|---|---|---|---|---|---|
| CX/C 019a | CX/C 019a | Livre | Bibliothèque principale | Livres empruntables | Prêt possible Disponible |
